Photoshop CS3 for Nature Photographers: A Workshop in a Book (Tim Grey Guides) | 
 enlarge | Authors: Ellen Anon, Tim Grey
Creator: Art Wolfe
Publisher: Sybex
Category: Book
List Price: $39.99
Buy New: $19.60
You Save: $20.39 (51%)
New (36) Used (7) from $19.60
Avg. Customer Rating:  21 reviews
Sales Rank: 27639
Media: Paperback
Edition: Pap/Cdr Ne
Number Of Items: 1
Pages: 416
Shipping Weight (lbs): 2.4
Dimensions (in): 9.8 x 7.9 x 1
ISBN: 0470119896
Dewey Decimal Number: 006.686
EAN: 9780470119891
ASIN: 0470119896
Publication Date: May 14, 2007
Availability: Usually ships in 1-2 business days
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Product Description
In the new edition of this practical guide, master photographer Ellen Anon and digital-imaging expert Tim Grey show you how to capture the beauty of nature by shooting the best possible photos from the start—and then getting the most out of your images at your desktop. You’ll find eye-opening techniques, workflow ideas, and terrific Photoshop tools, plus a host of valuable tips and stunning examples from some of the most esteemed professional nature photographers working today.
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| Customer Reviews: Read 16 more reviews...
 Handy reference July 8, 2008
This is a pretty good book filled with quite a few tips. The writing style was difficult for me to enjoy per se but the content is there. It was extremely distracting however for nearly every photograph in the book to have the caption "Photo by Ellen Anon". Over and over and over....Even multiple steps in a procedure apparently required a credit on each photo. Just a small gripe but it would have been easier to say at the beginning all photos by Ellen Anon unless otherwise noted.
 (Nearly) ideal for the Photoshop beginner May 30, 2008
1 out of 1 found this review helpful
I had been muddling through Photoshop for years, learning how to do things mostly on my own. This book, however, was an eye-opener. First off, although being nature photographer-centered doesn't mean it is impractical for other subjects, the nature focus does preclude the types of portrait and architecture examples of other books that really don't help the nature-oriented photographer very much. I find this to be a big strength.
The book is fairly inclusive of most of the basic tools needed to produce quality photos, but some areas are a bit lacking, notably with respect to sharpening. Specifically, there is no discussion of high-pass sharpening, nor of the multipass sharpening process (capture, creative, and output sharpening) that Adobe is now embracing. If you are interested in getting the best out of your photos, I strongly suggest googling these two subjects and learning more.
This book, as do all books on the subject, also suffers from that fact that parts of it are partially obsolete almost from the time it was printed because of advances in plug-in technology. This is especially the case with the recent upgrade of Camera Raw to version 4.1 (now available for free download from Adobe's website), which has tools (sharpening, notably) that could not be covered by this book because ACR 4.1 didn't exist at the time it was written. Again, this isn't a flaw of the book, just the nature of the beast. Heck, I'm sure someone reading this review a year or so from now will be remarking how obsolete ACR 4.1 is, once ACR 4.2 comes out.
I like the fact that there are two authors for the book because they each have ideas on how to best accomplish their goals. This leads to multiple options being presented to the reader. The sidebars by well-known photographers are also quite valuable, although it seems that they were written based on earlier versions of the book (i.e., once centered on CS2, and possibly CS). As such, some of that information is a bit dated. Still, there is a lot of valuable information in there.
I can't comment on the tutorial CD, because I haven't used it, but for those of you who prefer to learn by doing, I imagine it is a very valuable resource.
All in all, I would definitely recommend this book to any newcomer to Photoshop who shoots primarily nature photos.
As good as it gets February 24, 2008
19 out of 20 found this review helpful
As a web designer I've been using Photoshop professionally for years. I've also worked on lots of photographs, both my own and those I've gotten from clients. I don't need a how to book on layers, cropping and levels. I've got a good understanding of the basic Photoshop tools, and have benefitted from Scott Kelby's Photoshop CS for Photographers. But Kelby's book is a recipe book both useful and well presented, but I want more.
What I want to do now is take my own photography to another level. Past a certain point, improving becomes less a matter of collecting tricks and recipes and more a matter of learning the entire workflow from experts. For that a basic how-to cookbook is no longer of much use to me. I could probably spend a lot of time working out a good workflow and set of procedures through trial and error, but why not take advantage of the experience of those who have already taken the art of nature photography editing to a high place?
Enter Photoshop CS3 for Nature Photographers. As one reviewer has stated, much of the introductory Photoshop material is covered in other books, but not in quite the same way. Photoshop has many tools, each of which has many settings and options. It's perfectly possible to be familiar with one tool or filter in one context and not realize that it can be used in combination with another tool to achieve a completely different result. I once read that when Einstein proposed his theory of relativity maybe three people in the world understood it. I wonder if more than three people in the world completely understand all of what can be done with Photoshop. What I was looking for and found here is an expansion of my Photoshop horizons, a deeper exploration of the art and science of nature photography and photo editing.
Anon and Grey offer an excellent look over the shoulder of experts in both practice of nature photography and in the use of Photoshop as a digital darkroom. I can't emphasize strongly enough how helpful that approach is for someone who has some Photoshop chops or who has used the program for another end and who wants to get great results with nature photos. Their workflow is time tested and produces excellent results
And nature photograph editing benefits from following a slightly different approach from that of product photography, with which I have some experience, portraiture, photojournalism and so on. Again, I'm struck with how specific and helpful the presented workflow, and the mindset that using such a workflow creates is. And placing editing in context with a specific photographic goal informs my picture taking too.
I recommend this book to anybody interested in nature photography who has at least some experience with Photoshop, though a dedicate beginner could work through the introductory phases with this volume. For someone who has used Photoshop in another context and wants to expand into the nature photography realm this book is brilliant.
Newbie friendly CS3 book February 22, 2008
1 out of 2 found this review helpful
I was skeptical of getting a CS3 book since most of the ones I've perused were a bit much, relying on adept knowledge on CS2. This book, however, has been so easy to read and understand, I can't put it down!
It has a wealth of how-tos and information on effective photoshop CS3 editing. Highly recommended!
Good, but not much new information February 13, 2008
5 out of 6 found this review helpful
I bought this book based on several positive reviews and also because of the focus on "nature photography". I was not displeased with it, but I was kind of disappointed. Most of the techniques given were stuff that could be found in almost any of the "how-to" books on Photoshop. Mostly it was just workflow, and workflow for nature photography vs other types of photography is not so different that a whole book can (or should) be written about it. On the bright side, I did pick up a couple of tips and techniques that I hadn't seen in other books. I was also pleased to note that the authors drew a distinction between documentary nature photography and nature photography to "make a pretty picture". They feel that so long as the photograph is not said to be representational of a moment in time, there's nothing wrong with compositing and modifying it to make it more aesthetically pleasing or artistic. Some of the resulting compositions are fabulous, and capture the "mood" of a scene beautifully. Since most readers of this book are likely to be shooting for their own pleasure primarily, this was good information.
Bottom line - if you have other Photoshop CS3 "how-to" books, you can pass this up, as there's virtually nothing that hasn't been told many times over. But, if you're fairly new to PS, focus primarily on landscape and/or nature, and are only going to invest in a couple of "how-to" books, then go ahead and get this one.
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