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Welcome to Oz: A Cinematic Approach to Digital Still Photography with Photoshop (VOICES)

Welcome to Oz: A Cinematic Approach to Digital Still Photography with Photoshop (VOICES)

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Author: Vincent Versace
Publisher: New Riders Press
Category: Book

List Price: $44.99
Buy New: $25.88
You Save: $19.11 (42%)



New (30) Used (10) from $25.88

Avg. Customer Rating: 4.5 out of 5 stars 53 reviews
Sales Rank: 35019

Media: Perfect Paperback
Edition: Pap/Dvdr
Number Of Items: 1
Pages: 224
Shipping Weight (lbs): 1.5
Dimensions (in): 9.3 x 9 x 0.5

ISBN: 0735714002
Dewey Decimal Number: 778
EAN: 9780735714007
ASIN: 0735714002

Publication Date: December 23, 2006
Availability: Usually ships in 1-2 business days
Condition: All orders ship same business day via standard shipping (USPS Media Mail) if received by 1 PM CST.

Accessories:

  • The Adobe Photoshop CS3 Book for Digital Photographers (Voices That Matter)
  • The Moment It Clicks: Photography secrets from one of the world's top shooters (Voices That Matter)
  • The Digital Photography Book, Volume 2

Similar Items:

  • Skin: The Complete Guide to Digitally Lighting, Photographing, and Retouching Faces and Bodies
  • The Moment It Clicks: Photography secrets from one of the world's top shooters (Voices That Matter)
  • Light: Science and Magic: An Introduction to Photographic Lighting
  • Lighting and the Dramatic Portrait: The Art of Celebrity and Editorial Photography
  • Scott Kelby's 7-Point System for Adobe Photoshop CS3 (Voices)

Editorial Reviews:

Product Description
"Vincent Versace is a Renaissance man who has produced the best how-to book of the year! With its subtitle of “A Cinematic Approach to Digital Still Photography with Photoshop” Versace introduces a system for creating images that owes as much to the traditional darkroom as the digital one. Don’t just read the book; study it. The first chapter isn’t called “The Tao of Dynamic Workflow” for nothing and, like the rest of the book, contains Versace’s charm, wit, and wisdom. It’s copiously illustrated with detailed step-by-step examples of techniques that when applied to your own work will turn you from zero to hero. The fact that he’s a heck of a photographer means the book is stunningly illustrated, but it’s also been well designed. It has become a cliché to say that a book could change your life, but this one could." -- Joe Farace, December, 2007 , Shutterbug, Top Digital Books Of 2007; More & Better Digital Imaging Books

Creating memorable photographs is a process that starts before you edit an image in Photoshop, before you capture the image, even before you pick up the camera. You must first approach the subject with the proper sense of perception, with the ability to visualize the finished print before you commit a scene to pixels, but still be flexible and spontaneous. Master Fine Art photographer Vincent Versace has spent his career learning and teaching the art of perception and how to translate it into stunning images. In Welcome to Oz, he delves into what it means to approach digital photography cinematically, to use your perception, your camera, and Photoshop to capture the movement of life in a still image.
  • Adapt your workflow to the image so you always know how best to use your tools
  • Turn a seemingly impossible photographic scenario into a successful image
  • Practice “image harvesting” to combine the best parts of many captures to create an optimum final result
  • Create black and white prints that have the look, feel and “richness” of traditional silver prints without ever leaving the RGB color space



Customer Reviews:   Read 48 more reviews...

4 out of 5 stars welcome to oz via photoshop   August 30, 2008
 1 out of 1 found this review helpful

this purchase was done on behalf of a friend of mine and from what i was told, he is totally satisfied with the book. recommended.


5 out of 5 stars Worth The Journey   August 14, 2008
 1 out of 1 found this review helpful

This book is not your everyday Photoshop book and not a book for casual reading. It is a journey that provokes thought and requires the reader to often take his steps over again to fully appreciate what is being taught. As Vincent Versace has said many times, his purpose in writing this book was not to do a step by step answer book, it was to write a book which would inspire the reader to ask questions and look at things in a different way.

As an example, after reading about image harvesting I created an image composited from 20+ separate photographs to achieve enough depth of field using a 180 macro lens. By working through the lesson, I finally understood how to do the compositing it would require and I was surprised how well it worked. That the warp tool was required to get the leaf the way he wanted it only serves to reinforce the concept of interpretation.

For those who may be disappointed to find out Kismet is a composite, I have to wonder why. Are Jerry Uelsmann's images less photographic because he composites them in the darkroom? Are landscape images by Ansel Adams less iconic because they were manipulated in the darkroom? Photography has always been created from what the photographer saw and felt and how he wants to interpret that onto the print.

I recommend this book to anyone who has the patience to take the time required to understand what Vincent is sharing and I am hoping he will add more books to my library in the future.



5 out of 5 stars A Method Actor's How To Book   August 13, 2008
 1 out of 1 found this review helpful

I call this a Method actor's how to book because invariably Versace starts with the artistic motivations and aims before getting into the techniques to satisfy them. This approach really works for me.

I have spent most of my time with his B&W conversion techniques, trying out some alternatives not included in the book, but that derive from its motivations. I've found the techniques are extremely adaptable and customizable to one's own vision. This I think is rare for a book such as this, and therefore it receives my highest esteem.



5 out of 5 stars An introduction to advanced photgraphic editing in Photoshop   July 15, 2008
 1 out of 1 found this review helpful

The book is useful for those who want to move up from basic use of Photoshops image enhancment tools to a more advanced level. The use of various layer masks and how to develop an efficient workflow is described. The book is laid out as a course and the reader should do the exercises using the images from the included CD. The style of the results is of course a reflection of Versaces own style, however by learning the described teqnique the reader can gain a platform to develop his own style. The example images are portraits and close-up nature. There is also a small collection of the Versaces images nicely presented which shows that the author has achieved his goals.
This is not a general encyclopedia on Photoshop rather it is an introduction on how to use the toools in Photoshop to achieve a specific photografic result and to get inspiration from a master.



5 out of 5 stars Great digital photo book!   July 8, 2008
 2 out of 2 found this review helpful

Vincent Versace's Welcome To Oz is quite possibly the most innovative and best digital photography title I've ever come across (excluding my own books, of course!).

Versace is a superb photographer. So this is not one of those digital photography books that is written by a Photoshop guru without the creative gifts and guts to make images. But it is still largely a Photoshop book.

Versace's subtitle tells the story of his book: "A Cinematic Approach to Digital Still Photography with Photoshop". After reading this book, I felt better able to view photograph-making from the perspective of what would happen to the photo in the computer as well as in the camera. And, as I said, the images are splendid (and the step-by step accounts of how they were created very thorough).

If I have one caveat here, it is that Versace provides versions of his original images, and encourages readers to duplicate his work on these samples. Personally, I prefer to try things out on my own images, and I enourage readers and students to process their own work. Otherwise, the whole thing becomes a slavish imitation of a master rather than an original creative endeavor. But that's a matter of individual taste and a quibble, this is a really, really good book.



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