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Scene of the Crime: Photographs from the LAPD Archive | 
 enlarge | Authors: Tim Wride, James Ellroy, William J. Bratton
Publisher: Harry N. Abrams
Category: Book
Buy New: $59.95
New (3) Used (3) Collectible (2) from $48.00
Avg. Customer Rating:  7 reviews
Sales Rank: 541682
Media: Hardcover
Number Of Items: 1
Pages: 240
Shipping Weight (lbs): 3.6
Dimensions (in): 13.2 x 8.2 x 1.1
ISBN: 0810950022
Dewey Decimal Number: 779.9364979494
EAN: 9780810950023
ASIN: 0810950022
Publication Date: October 1, 2004
Availability: Usually ships in 1-2 business days
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Condition: New - Has remainder mark. Fast shipping from trusted wholesaler with many exclusive publisher contracts.
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Product Description
Los Angeles in the decades after the Depression was a smoldering powder keg of vice, corruption, violence, and some of the most sensational crimes in American history. The Black Dahlia slaying, the Onion Field murder, film star Thelma Todd's mysterious death, the killing of Kansas City gangsters "The Two Tonys" by Jimmy "The Weasel" Fratiano: these are but a few of the cases that once riveted the nation's attention and were captured in striking crime-scene and forensic photographs for the Los Angeles Police Department.
Long forgotten in a warehouse, these recently discovered photographs from the LAPD archive form a powerful visual history of the underbelly of Los Angeles from the 1930s to the 1960s. Although disquieting and often brutal, the images have an atmospheric, eerie beauty that belies their documentary purpose. They are accompanied here by captions from police logs and original newspaper accounts, along with an introduction by James Ellroy, the leading practitioner of the Los Angeles noir genre, and an essay by curator Tim B. Wride discussing the archive's importance to social history and the history of photography. AUTHOR BIO: William J. Bratton is the 55th chief of the Los Angeles Police Department and has also served as police commissioner for both the Boston and the New York City police departments. James Ellroy's books include the international best-sellers The Black Dahlia, The Big Nowhere, L.A. Confidential, White Jazz, and American Tabloid. Tim B. Wride is associate curator of photography at the Los Angeles County Museum of Art.
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| Customer Reviews: Read 2 more reviews...
Great photos from the LAPD archives December 14, 2007
I saw a story about the authors on a local PBS show in Los Angeles, they are preserving the LAPD photo archives and have picked some of their favorites for this book. It's a bit gruesome in parts (of course, they are crime scene photos!) but it is an interesting glance into L.A.'s past, and I'm glad these folks are doing what they can to preserve our heritage. The photo presentation is great - this is a nice, large format book that gives you good sized images. Recommended for fans of photo and/or the macabre.
Good, But Lacking In Comparison December 3, 2006
4 out of 5 found this review helpful
Scene of the Crime is the latest in a recent influx of collections of crime scene photography, and it has added appeal in that some of the images are of famous cases, such as the Black Dahlia murder and the Manson Family slaughterhouse. The book is laid out in the same manner as most of these books, with black and white images presented in the first half of the book, and information for each photograph at the back. Unfortunately, many of the photographs piqued my curiosity, only to find a sad, unsatisfying, "case information unavailable" comment awaiting me in the back of the book. Still, many of the images are so well-composed and interesting that they could be seen in art museums rather than cold case files, so this is a minor quibble.
However, there are also quite a few lesser and uninteresting images as well, which left me feeling a bit cheated given my suspicion that the LAPD coffers are overflowing with many more graphic, historic, and fascinating images. Comparing this book to the classic LA crime gallery Death Scenes: A Homicide Detective's Scrapbook serves to further point out this collection's shortcomings. There is nothing in here as punch-in-the-gut brutal as the image of the decapitated baby on the cutting board or as surreal as the peaceful head sitting in the middle of a road after a traffic accident, both from Death Scenes. Taken on its own merits, I might have given the book a five skull rating, but in comparison with its more amazing brethren I'd have to rate it a four.
Excellent collection January 16, 2005
14 out of 17 found this review helpful
I am sure everyone is aware that Scene of the Crime is not the first collection of police archive photos to be released. The past few years have seen the release of many collections of such photos; the most well known being New York Noir, Evidence and Death Scenes. New York Noir and Death Scenes have a common thread in their use of well-known writers in their introductions. Luc Sante the noted New York historian collected the photographs for Evidence and penned the introduction for New York Noir. Katherine Dunne, the author of Geek Love is responsible for the intro to Death Scenes. Scene of the Crime follows that tradition; drafting the modern master of Los Angeles noir, James Ellroy, to pen the introduction to this collection of archival Los Angeles crime photos. Much as Luc Sante was the ideal choice for New York Noir, Ellroy is perfect for this collection of photographs from the city that has been his muse.
Some may be inclined to compare collected archival crime scene and police photos to the work of Weegee, but to do so would be a mistake. In his time Weegee photographed to satisfy tabloid papers and their readers. Don't get me wrong, I love the photographs he took, but the police photographer is not in it for the same thing. The crime scene photographer is there for documentation. It's his job, no different than taking portrait shots of unruly and unkempt children in a corner alcove at the local mall. However, there is art to be found in crime scene photos, it is not just point and shoot. The angles, the shadows, the composition of the photos, why some have the faces of the victims shown and why some do not, these are all aspects of the art behind the documentation of the crime scene.
After the introductions and essays the photograph collection is shown with no documentation other than the notes of the photographer written on the image. This technique forces the viewer to look at the photos and imagine the stories behind them. How and why did all the subjects living and dead end up facing the lens of the Los Angeles Police Photographer? The two suited men shot over dinner. The man shot dead in an open doorway. An empty room with an open door. Bloodstains on the floor. Cheesecake photos pushpinned to a panel wall. Cigarrette cartons and bottles strewn across a wood floor. Heads resting in puddles of blood. Knife and razor cuts. Bodies laying in doorways, on steps, in cars, on streets, face down, on their backs, partially dressed, fully suited, naked and cut into pieces. Bodies lying in tubs, lying in shallow graves, shot, beaten. Dead and beaten women who would be beautiful if it were not for the blood that has run from their mouths, noses, and ears. Sharp dressed men, with their suits covered in their own blood. Ah, the good old days...
After the collection an index tells as much of the story behind each picture as possible. It is interesting to look at the index and see how close your imagination was to the reality. How close were you to deciphering the scenes? Did you nail the stories behind the SLA note, the suicides, the lovelorn, the rejected, the beaten, the famous, the unknown, the riots, the drunks, the mobsters, the stars, the starlets, the starry eyed, or the Manson family?
At first I did not appreciate the layout of the book, photos with no captions. Without the background you are forced to study the scene more intently than you would if all the details were given to you. What happened? What time did the crime take place? Why did the crime take place? Who would commit such a crime? Who's body are you looking at? In effect, you become a detective, arriving at the scene of a crime, knowing absolutely nothing other than what you are staring at. In the end, this is a perfect layout for a collection of crime scene photographs. A book that becomes more revealing and more interesting every time it is opened.
Good but not great November 21, 2004
9 out of 10 found this review helpful
Scene of the Crime was a bit disapointing due to the fact that the readr must go back and forth from the photos, to the captions, which are compiled at the end. Quite a few of the cases have no information available at all, as the other reviewers have mentioned, and although the LAPD has done a great job maintaining paper on most of these cases, some details are bound to slip through the cracks.
A few of the cases depicted in "Scene of the Crime" are also depicted in Huddleston's "Death Scenes", though nowhere near as graphic. Many of the locations found in the book are still standing, as a matter of fact, I often pass by the building shown on pgs 52-53 (traffic collision at 1st and Boyle) though now its an apartment building but still featuring the unique parapet up top.
Overall a pretty good read.
 LAPD Scene Of The Crime (captions) November 17, 2004
17 out of 18 found this review helpful
Just a note on other reviews in regard to the lack of captions. The LAPD negatives are not kept with the case files. There are very few case files even available, as they have been destroyed due to lack of space. There is a normal descruction process within the LAPD for paper files. The cases researched in this book were taken from old homicide log books. Also newspaper databases were used. If you would like more details on the LAPD Archive please visit fototeka.com
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