The Book on the Bookshelf

Book-lover though he may be, however, Henry Petroski is, first and foremost, an engineer and so, in the end, it is the evolution of bookshelves even more than of books that fascinates him. Pigeonholes for scrolls, book presses containing thousands of chained volumes, rotating lecterns that allowed scholars to peruse more than one book at a time--these are just a few of the ingenious methods readers have devised over the centuries for storing their books: "in cabinets beneath the desks, on shelves in front of them, in triangular attic-like spaces formed under the back-to-back sloped surfaces of desktops or small tabletop lecterns that rested upon a horizontal surface." Placing books vertically on shelves, spines facing outward, is a fairly recent invention, it would seem. Well written as it is, if Book on the Bookshelf were only about books-as-furniture, it would have little appeal to the general reader. Petroski, however, uses this treatise on design to examine the very human motivations that lie behind it. From the example of Samuel Pepys, who refused to have more titles than his library could hold (about 3,000), to an appendix detailing all the ways people organize their collections (by sentimental value, by size, by color, and by price, to name a few of the more unconventional methods), Petroski peppers his account with enough human interest to keep his audience reading from cover to cover. --Alix Wilber

Product Description
He has been called "the poet laureate of technology" and a writer who is "erudite, witty, thoughtful, and accessible." Now Henry Petroski turns to the subject of books and bookshelves, and wonders whether it was inevitable that books would come to be arranged vertically as they are today on horizontal shelves. As we learn how the ancient scroll became the codex became the volume we are used to, we explore the ways in which the housing of books evolved. Petroski takes us into the pre-Gutenberg world, where books were so scarce they were chained to lecterns for security. He explains how the printing press not only changes the way books were made and shelved, but also increased their availability and transformed book readers into books owners and collectors. He shows us that for a time books were shelved with their spines in, and it was not until after the arrival of the modern bookcase that she spines faced out.

In delightful digressions, Petroski lets Seneca have his say on "the evils of book collecting"; examines the famed collection of Samuel Pepys (only three thousand titles: old discarded to make room for new); and discusses bookselling, book buying, and book collecting through the centuries.

Richly illustrated and wonderfully written, this is the ultimate book on the book: how it came to be and how we have come to keep it.

Committed bibliophiles may easily tolerate the discursive, not to say meandering, course of The Book on the Bookshelf. I reached the limit of my patience a couple of times and put the book back on the bookshelf for a while before finally completing it. That having been said, Petroski's ramble is just too self-indulgent and just plain too long, sort of an Atlantic Monthly essay that got away from the author. I absolve future readers from all guilt if they decide to skip pages and even whole sections of this clever work.