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Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)

Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)

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Author: Steven Katz
Publisher: Michael Wiese Productions
Category: Book

List Price: $27.95
Buy Used: $11.94
You Save: $16.01 (57%)



New (49) Used (67) from $11.94

Avg. Customer Rating: 4.0 out of 5 stars 37 reviews
Sales Rank: 11349

Format: Illustrated
Media: Paperback
Number Of Items: 1
Pages: 325
Shipping Weight (lbs): 1.5
Dimensions (in): 10 x 7 x 1

ISBN: 0941188108
Dewey Decimal Number: 791.430233
EAN: 9780941188104
ASIN: 0941188108

Publication Date: January 25, 1991
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Softcover. Some wear to the cover. Pages appear unmarked. Ships the next business day, with tracking and delivery confirmation sent to your email.

Similar Items:

  • The Five C's of Cinematography: Motion Picture Filming Techniques
  • Film Directing: Cinematic Motion, Second Edition
  • Setting Up Your Shots: Great Camera Moves Every Filmmaker Should Know
  • Directing Actors: Creating Memorable Performances for Film & Television
  • Rebel without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood Player

Editorial Reviews:

Amazon.com
Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to viewers and aptly tell the film's story. Katz provides in-depth coverage of production design, storyboarding, spatial connections, editing, scene staging, depth of frame, camera angles, point of view, and the various types of stable compositions and moving camera shots.

Product Description
International best-seller filled with visual techniques for filmmakers and screenwriters.


Customer Reviews:   Read 32 more reviews...

2 out of 5 stars Not good enough   April 6, 2008
 1 out of 1 found this review helpful

This is a book about all the types os shots, but it has a serious problem. The writer doesn't explain the emotional meaning of all those shots. If you read this book, you will know the positions and angles that a cameraman uses; but you won't know nothing about when, and why, employ this angles. Katz doesn't talk about the art of direction and the connection between the script, the characters, and the camera shots.

If you want to learn the complicated art of the direction you must read other more interesting books, like "Film Directing Fundamentals" by Nicholas Proferes. Also you can analyze an Hitchcock's movie "shot by shot". Any movie of Hitch is a master class.



2 out of 5 stars okay, but there are better out there   November 10, 2007
 0 out of 5 found this review helpful

I think this book is for frappe latte mocha double half calf drinkers. Lots of flowery exposition. If it's the only book you've ever seen on the subject, it'll teach you something (in a very confusing way). But if you've ever shot anything, or read another book on camera setups, etc., this will not add much to your knowledge.

I even read it a 2nd time to see if I was just "overwhelmed" by info the first time--nope...there are other books that get to the nuts and bolts and practical info much better.



5 out of 5 stars great!   October 22, 2007
its easy to read, lots of info and hints. especially very helpful for camera moves and shooting angels. pictures are great and makes real easy to understand.


5 out of 5 stars Chicken scratches vs. Detailed Storyboards   August 19, 2007
 1 out of 1 found this review helpful

I have used this book numerous times for my teachings in which students go through the process of making a short film with certain limitations being imposed. It is part of a process that I call "fast filmmaking". I like the examples that Katz presents, specifically that it is not the quality of the drawing, but how the drawing communicates the director's vision to the rest of the crew. I will usually have a student "explain" their storyboard to the class, and it is amazing how a few chicken scratches can give as much details as a fully detailed storyboard. Kudos to Katz for explaining the creative aspect of directing, and Michael Weise Productions for publishing these types of books.


4 out of 5 stars of moderate interest to readers of video magazines   August 13, 2007
as a long-time reader of videographer's magazines, I didn't find much of interest in this book. If I were new to the trade, I'd probably have found it more useful. For that reason, I gave it a rather high rating of 4 stars


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