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History of Men's Magazines (Dian Hanson's: The History of Men's Magazine) Vol.2 | 
 enlarge | Creator: Dian Hanson
Publisher: Taschen
Category: Book
List Price: $59.99
Buy New: $18.49
You Save: $41.50 (69%)
New (21) Used (7) Collectible (1) from $18.49
Avg. Customer Rating:  2 reviews
Sales Rank: 528512
Format: Illustrated
Media: Hardcover
Number Of Items: 1
Pages: 460
Shipping Weight (lbs): 4.4
Dimensions (in): 11.1 x 8.9 x 1.7
ISBN: 3822826251
Dewey Decimal Number: 704
EAN: 9783822826256
ASIN: 3822826251
Publication Date: November 1, 2004
Availability: Usually ships in 1-2 business days
Condition: Brand new - Most copies have a publishers overstock mark (Publisher close-outs usually have a small ink mark or stamp at the base of the book, but are otherwise brand new.)
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Product Description
Open your notebooks, sharpen your pencils, and get ready for a history lesson like none you've ever experienced. Yes, that's right: you're about to learn everything you could ever want to know about the world history of men's magazines -- not sports, not fashion, not hunting or fishing or how to build a birdhouse in ten easy steps, but those titillating periodicals embracing the subject dearest to all heterosexual men's hearts and other organs: the undraped female form. A twenty-five-year veteran of the genre, former men's magazine editor Dian Hanson traces its development from 1900 to 1980 in six massive and informative volumes. Volume II starts in the post-war period of the 1940s when the US surged ahead in magazine production while the rest of the world rebuilt and recovered, and ends in 1957 when censorship at last began to ease.
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| Customer Reviews:
 A MAJOR oversight in Volume 1 of this six-volume work August 3, 2007
I already have Volume 2 of Dian Hanson's encyclopedic _History of Men's Magazines_, detailing what I believe to be the golden age of that genre (the 1950's), so I was really looking forward to getting Volume 1. This volume is presented just as beautifully as the other five volumes in the series, with lots of gorgeous full-page color and B&W photos.
However, there is a very big oversight, not to say error, in the material contained in this volume. Let me explain; Volume 1 bills itself as covering the history of men's magazines from 1900 to the period immediately after World War II. OK. So where are all the pictures from 1900 to the beginning of the 1920's? Certainly, there weren't very many magazines specializing in girlie art or photography before the Roaring Twenties, but France did have several, most notably the famous "La Vie Parisienne", which started publishing in, I believe, the 1870's and ran almost continuously for seven or eight decades. There was a LOT of first-class girlie art in that 'zine from the 1870's to the 1910's (including some classic art produced during World War I) that Hanson could have located and reproduced. Also, what about the Gibson Girl in "Life"? That's not strictly "girlie" art within the parameters set by this series, to be sure, but she was such an iconic figure that she should have gotten at least a couple of pictures. Or what about all the "French postcards" of the Gay Nineties and after? Those directly adumbrated the later girlie magazines, and also go unrepresented, at least in the pictures.
Furthermore, Hanson errs seriously in putting a large number of pictures from the 1950's and 1960's in a volume that is expressly _not_ dedicated to those decades (the 1960's, in fact, get two volumes later on in the series). She may have intended to show how girlie photography developed over the decades, but there was plenty of room later on in the series to do that. The space misappropriated to those pictures would much better have been allocated to the kind of imagery I described in the previous paragraph.
Sorry, Dian. I really like Volume 2. Volume 1, however, is a rather disappointing introduction to what should have been a definitive reference work on a little-studied genre.
 The sort men like November 26, 2004
22 out of 22 found this review helpful
I can't think of another publisher, other than Taschen, who would risk publishing a six-volume, extravagantly produced history of men's magazines and who better than Dian Hanson to write it. She has had plenty of experience in this section of the magazine trade.
This volume covers the fourteen years from 1945 and really it is not too interesting until Hefner starts Playboy in 1953. Until then the market was basically down-market cheesecake and burlesque oriented magazines though there are chapters devoted to John Willie's 'Bizarre' and Lenny Burtman's 'Exotique' but these were hardly mass-market titles. Chapter three, nicely, features titles from Argentina and Mexico and chapter six covers England. Playboy was the title that makes this history interesting, unique when it first came out but not for long, titles like Nugget, The Dude, Swank, Rogue and others made this genre of publishing sort of respectable.
The seventeen chapters follow the same format, a few hundred words of copy and then pages and pages of covers and spreads from the various titles. Chapter sixteen features the Top 5 Cover girls, Diane Webber, June Wilkinson, Jayne Mansfield, Bettie Page and predictably Marilyn as number one. Chapter seventeen is a neat finale, devoted to the tacky ads that appeared in the back of many men's titles. Major advertisers totally shunned most of this market for obvious reasons.
Fascinating though the book is I do have a major disappointment (so four stars) and that is the paper, a matt stock that soaks up the ink so that none of the covers sparkle. I've bought several other pop culture Taschen books this year and they have all had semi gloss stock that reproduces covers and illustrations so well. There are a few hundred color covers in 'The History of Men's Magazines' and frequently the whole page ones look soft and grainy, they are, after all, reproduced from something already printed, a different paper would have mostly avoided this. Another slight annoyance is the three-language text (English, French and German) all set in the same typeface so at the end of a column one naturally goes to the next column and it is German. To my mind it would have been preferable to run each language in its own text block.
Apart from the paper I thought the book was well worth having and if you
read the Product Description you'll see what the other five volumes cover.
When complete I think this will become the definitive work about this
corner of the publishing world. I'm already making shelf-room for the set.
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