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Photographic Lighting Simplified

Photographic Lighting Simplified

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Author: Susan Mccartney
Publisher: Allworth Press
Category: Book

List Price: $19.95
Buy New: $11.43
You Save: $8.52 (43%)



New (20) Used (8) from $8.58

Avg. Customer Rating: 3.0 out of 5 stars 11 reviews
Sales Rank: 226639

Media: Paperback
Number Of Items: 1
Pages: 192
Shipping Weight (lbs): 0.7
Dimensions (in): 9.6 x 6.5 x 0.2

ISBN: 1581152566
Dewey Decimal Number: 778.72
EAN: 9781581152562
ASIN: 1581152566

Publication Date: February 1, 2003
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand new item. Over 4 million customers served. Order now. Selling online since 1995. Few left in stock - order soon. Code: V20080926035930S

Similar Items:

  • Master Lighting Guide for Portrait Photographers
  • Beginner's Guide to Photographic Lighting: Techniques for Success in the Studio or on Location
  • Basic Studio Lighting: The Photographer's Complete Guide to Professional Techniques
  • The Studio Photographer's Lighting Bible
  • Understanding Exposure: How to Shoot Great Photographs with a Film or Digital Camera (Updated Edition)

Editorial Reviews:

Product Description
For aspiring photographers ready to transform their work from average to expert, here is the "bible" to lighting any subject and space effectively. In specific but nontechnical terms, Photographic Lighting Simplified explains how to take light sourcesfrom outdoor bright sunlight to indoor household lightingand recreate their effects in the studio. A series of enjoyable, hands-on assignments show readers tips for selecting the right camera format, film, and lenses; the basics of metering and testing; overviews of essential equipment for studio lighting; and much more. Plus, dozens of step-by-step illustrations demonstrate an array of techniques for lighting reflective metal and glass objects; lighting different face types and groups; and special lighting considerations for digital cameras. For anyone who is serious about taking better photographs, this is the ultimate success guide.


Customer Reviews:   Read 6 more reviews...

3 out of 5 stars Good beginner book but black and white pages   September 10, 2007
This book has some simple lighting set ups to help the beginner but the reason I only gave it 3 stars is I found the book boring to look at. Most of the book is in black and white photos. I like a writer that gets to the point pretty quick and simple and found some of the reading monotone kind of like the black and white pictures.


2 out of 5 stars Pretty good information   February 7, 2007
Good basic information but not very detailed. Not for the intermediate or advanced photographer.


2 out of 5 stars Poor structure, very little real help   October 14, 2006
I thought this book would be an all-in-one lighting wonder book. I mean, it covers hotlights, flashes, strobes, shooting on location, shooting in a studio, and more! But I was sorely disappointed.

While it does discuss a lot of different equipment and techniques, it isn't really very helpful. Why?

* Structure: It doesn't follow a logical sequence, which means you can be jumping around a lot to find 'related' information. This, in turn, means you haven't learnt much because it's too hard to 'file' what you're reading mentally.

* Equipment vs. technique: These two things are mixed in together when they really ought to be separate. I mean, the lighting setups you use when using hotlights are roughly the same as when using strobes. The way you handle the equipment is different, but the same principles apply. So why go into the details of setting up a portrait when discussing the different equipment types?

* No diagrams: How hard can it be to draw a lighting diagram for each shot? There is not one diagram for any photo in the book (though Susan McCartney does start by saying how important diagrams are!!), which makes it hard to visualise the setups.

* No colour: Probably to save money, the only colour photograph in the book is on the cover. Fair enough, but a little effort could have been put into making the black and whites a little less 'flat'.

* Digital falsehoods: Though McCartney apparently shoots digital occasionally, she really doesn't get it, and this comes up in some obviously wrong statements throughout the book, like this one:
"Do be aware that each time you play back a digital image in the camera, it may degrade the final result..." Since when have digital images degraded when previewed on the camera? Statements like this really don't help her professional credibility.

To summarise, while the book does cover a lot of ground and contains some useful information for beginners, you will need to read something more thorough before you actually start shooting with serious lighting gear. It doesn't even tell you how to control lighting ratios!



1 out of 5 stars Disappointing   June 25, 2006
 0 out of 1 found this review helpful

This book was quite disappointing, so much so that if it were possible I would ask for my money back. The author belabors her writings to the point that it becomes irritating. For instance, she explains how electricity heats the filament of a bulb to make it light up. Superfluous information! She also - as another reviewer wrote - publishes all her pictures in black and white, even those she took in color. What was the purpose of that? To make the book cheaper to print?

There is some useful information in the book if you take the time to sift through it all, and it could have been condensed into half the size without losing any valuable content.



3 out of 5 stars Needs Improvement.   November 12, 2005
 10 out of 10 found this review helpful

I have three main criticisms of this book. First, the book has no color pictures when it is clear the author did not take many of these pictures in B&W (or if she did she needs to find another profession). This is ridiculous when the subject of the book is photography and the pictures are an important learning tool. Second, the author spends too much time on hotlights and flashes when most photographers (even amateurs) will be using strobes because of the availability of light modifiers and other advantages.Third, the last half of the book is about doing photographic assignments rather than adding more information (and there is a lot more) about lighting. In sum, I would skip this book if you're light on cash and get "Master lighting guide for potrait photographers" and "Beginner's lighting guide to photographic lighting" which are both excellent (avoid "basic studio lighting").


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