RailroadBookstore.com

Railroad Books - Model Railroad Books - Thomas & Friends
Photography Books - Gardening Books

Photography Books

Huge Selection - Discount Prices - Money Back Guarantee

We offer a huge selection of photography books at discount prices. All purchases have a money back satisfaction guarantee. Thank you for shopping here!

Search Advanced SearchView Cart   Checkout   
Guidebooks
Canon
Hasselblad
Kodak
Leica
Nikon
Pentax
Sony
Magic Lantern Guides
Categories
General
Black & White
Color
Digital
Equipment
How To
Nature & Wildlife
Photo Essays
Photojournalism
Reference
Travel
Photoshop
Lightroom
Railroad Photography
Images of Rail Series
Subcategories
Mass Market
Trade

Beauty in Photography: Essays in Defense of Traditional Values

Beauty in Photography: Essays in Defense of Traditional Values

zoom enlarge 
Creator: Robert Adams
Publisher: Aperture
Category: Book

List Price: $14.95
Buy New: $8.60
You Save: $6.35 (42%)



New (26) Used (19) from $4.95

Avg. Customer Rating: 3.5 out of 5 stars 3 reviews
Sales Rank: 279829

Media: Paperback
Number Of Items: 1
Pages: 112
Shipping Weight (lbs): 0.5
Dimensions (in): 8.1 x 5.5 x 0.5

ISBN: 0893813680
Dewey Decimal Number: 770.1
EAN: 9780893813680
ASIN: 0893813680

Publication Date: April 1, 1989
Availability: Usually ships in 1-2 business days

Also Available In:

  • Hardcover - Beauty in Photography
  • Paperback - Beauty in Photography: Essays in Defense of Traditional Values

Similar Items:

  • Why People Photograph
  • The Photographer's Eye
  • The Nature of Photographs
  • The Americans
  • On Photography

Editorial Reviews:

Product Description
These essays address us in the quiet voice of a working photographer, an artist and craftsman who has thought long and seriously about his endeavor, who has tested and questioned his own assumptions in the light of actual practice. The result is a rare book of criticism, one that is alive to the pleasure and mysteries of true exploration. Written over a ten-year period, and originally published in 1981, this timeless collection of writings now includes a new preface by the author.

Robert Adams possesses the wit to avoid cant, dogma, and platitudes of the scholar that can deaden our responses to the lively business of art. His eight essays pose a host of questions about photography's place in the arts-- and in our lives: How is photography art? By what standards are we to judge the success or failure of a photograph? His reflections are delicate, unusually calm, but they also carry the force of sure conviction, the passion of absolute dedication.

Few visual artists are capable of articulating the subtle, potent wellsprings of their own creative achievement. Adams does so with extraordinary grace and power. This book offers not only an insight to the work of a distinguished photographer, but also an illuminating challenge and corrective to the usual pieties and pettiness of photography criticism today.



Customer Reviews:

1 out of 5 stars I Didn't Get It   July 13, 2007
 9 out of 15 found this review helpful

In an essay in this little book, entitled "Civilizing Criticism", Robert Adams cites Henry James as asking of a work of art "What is the artist trying to do? Does he do it? Was it worth doing?" I had to guess at what Adams was trying to do; if I guessed correctly, it was worth doing; he didn't do it.

Adams, who was born in 1937, was and probably still is an American landscape photographer. This series of short essays was originally published in 1981 and has now been republished. The essays range in title from "Truth and Landscape" to "Photographing Evil". I am reluctant to describe the contents further because I found it hard to follow the author's reasoning or extract a theme from most of the essays. The author writes with good grammar but his rhetoric seemed weak to me. Perhaps this was a failing on my part, but I read most of the essays twice and still failed to grasp them.

Consider the first essay. Adams seems to say that we are disappointed by the American landscape because it has been despoiled. I'm not going to deny that the littered beaches of Long Island are not as beautiful as they once were. But after watching the sunrise from Cadillac Mountain in Maine and rafting through the Grand Canyon, I've still been able to become excited about the landscape. In the same essay Adams says that landscape can offer us three verities: geography, autobiography and metaphor. He states that geography, the mere recording of the view, cannot hold our attention unless the photographer impresses himself on the picture. I agree with this, but he offers no basis for this conclusion, and offers no suggestion of a use for this information. He never discusses metaphor again.

One has to wonder who the audience for this book is. Photographers have little to learn from it. Photograph viewers get no help in understanding the truth of a photograph, landscape or otherwise. Who else is there?

I guess I was misled by the title. I expected discussions of beauty in photography and what the traditional and present values were. I never got it.



4 out of 5 stars recommended   November 27, 2004
 23 out of 23 found this review helpful

For me, there are two key assertions in Robert Adams' "Beauty in Photography". First, that we "live in discouraging hours of society's apparent decay" (p. 88). Second, that the purpose of art is to "help us meet our worst fear, the suspicion that life may be chaos and that therefore our suffering is without meaning" (p. 25).

From these two assertions Adams develops his interpretation of photography: Photography detects, extracts and emphasizes the beauty around us, and by doing so it points toward something deeper in the world, an organizing power, a coherence supporting the world and our lifes. To Adams, photography is a spiritual exercise, making bearable an otherwise decaying sourrounding.

Art not concerned with depicting the world beautifully is, to Adams, mere "decoration". Thus, Adams tells us little interesting about most modern art, and his approach does not generalize, for instance, to music. That beauty can exist as such, that it can tell us something about ourselves even without refering to things in the world: This does not seem to be Adams experience.

In these very conservative views I disagree with Adams. Still, I recommend his essays to anyone who wants to understand why some photography is moving us while other is not. Even if Adams is not telling the whole story -probably nobody will- he is an excellent writer who talks about art in a clear and understandable way.

The only disappointment with the book was the poor reproduction quality of the images depicted. As a publisher specializing in photography books Aperture could do better.



5 out of 5 stars a MUST READ for serious photographers!   August 25, 1998
 17 out of 24 found this review helpful

This is an important collection of essays for the serious photographer and for anyone interested in the art of photography. This book is destined to become a classic and will be read a hundred years from now. Adams' many excellent books of his own photography are testimony to the validity of what he writes about. I have read these essays over and over again and continue to learn. Robert Adams is one of the few photographers whose writing matches his photography.


Copyright 2008 - RailroadBookstore.com