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Requiem: By the Photographers Who Died in Vietnam and Indochina | 
 enlarge | Authors: Horst Faas, Tim Page, David Halberstam
Publisher: Random House
Category: Book
Buy New: $193.01
New (3) Used (6) from $40.82
Avg. Customer Rating:  24 reviews
Sales Rank: 1918857
Format: Bargain Price
Media: Hardcover
Edition: 1
Number Of Items: 1
Pages: 336
ASIN: B00008NRGM
Publication Date: October 1997
Availability: Usually ships in 1-2 business days
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Amazon.com Review
Horst Faas and Tim Page's Requiem is a portfolio of work by combat photographers who died in Vietnam and Indochina. The photographers came from many countries. Some were famous, such Robert Capa and Sean Flynn; others will be remembered only thanks to this stunning book. Among the photographs presented here are some that everybody old enough to remember the war has seared into their memory: Larry Burrows's famous image of a first-aid station south of the DMZ, where a wounded black marine reaches out to his white brother; Huynh Thanh My's wrenching photographs of suspected Vietcongs' being tortured by government troops; Dana Stone's elegiac portraits of American soldiers marching to their deaths in the A Shau Valley. Requiem is a masterwork, a grim testimonial to a war that seemed as if it would never end--but that has too quickly been forgotten.
Product Description
Between the height of the French Indochina War in the fifties and the fall of Phnom Penh and Saigon in 1975, 135 photographers from all sides of the conflict are recorded as missing or having been killed. This book is a memorial to those men and women, and in many cases it includes the last photographs they took.
Horst Faas and Tim Page, two photographers who worked and were wounded in Vietnam, have gathered many thousands of pictures by those who were killed. Their search has taken them through the archives in Hanoi as well as those of Western agencies. In some cases families have generously provided access to private files where unknown bodies of work have lain unseen for more than forty years.
The list of the dead includes some of the greatest photographers of the century, such as Robert Capa and Larry Burrows, and some who had been working in Vietnam for only a matter of days before their deaths. A number of the Cambodian photographers working for the Western press were executed. Other photographers, like Sean Flynn and Dana Stone, disappeared. Their loss inspired Tim Page to begin this memorial.
The resulting sequence of photographs follows the course of the war and the transformation of the serene landscapes of Cambodia and Vietnam into scenes of nightmarish devastation. At the moments of intense battle one is reminded not only of the courage of the photographers but of the compassion amid the brutality of war. These photographers were intimate with war to a degree that may well be denied future generations. That intimacy led to their deaths. Their photographs are their legacy.
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| Customer Reviews: Read 19 more reviews...
 The Compelling Power of the Still Photograph April 14, 2008
5 out of 5 found this review helpful
This is a truly remarkable collection of photos. The essence of so much of the agony of the wars in Vietnam captured on film. This collection has a central macabre link - all the photographers were killed in the war. Tim Page paid his own "dues" in the war including taking a horrific head wound. On arrival at the hospital, he overheard the doctor say that he was going to die. Still obviously haunted by the war, he undertook this project in part as a memorial to his friends, Sean Flynn (the son of Earl, the movie actor) and Dana Stone, who were captured and executed by the Khmer Rouge.
Robert Capa, whose most famous picture was taken during the Spanish Civil War, showing the moment of death of a republican soldier, died by stepping on a land mine, two weeks after the fall of Dien Bien Phu. Larry Burrows was one of the most famous who covered the American war period, and he died in a helicopter crash in 1971 during the Vietnamese offensive against the Ho Chi Minh Trail. There was Francois Sully and Kyoichi Sawada. So many of those that covered the war were not American. All so important for this collection are the Vietnamese photographers such as Luong Nghia Dung and Vo Van Quy, filming those "on the other side."
How many of the photographs deserve the epithet "haunting." At least half. There is Sou Vichith's photo of three captured Khmer "kids" really, two of them women, who will be raped and executed. There is the badly wounded Cambodian boy looking at his dead mother by Tea Kim Heang. Perhaps it is the no one at all, the empty road, being reclaimed by the jungle, with only part of a human spine on it by Taizo Ichinose that captures best the auto-genocide that was the "rule" of the Khmer Rouge.
The book concludes with a fitting epilogue by Neil Sheehan, whose book, "A Bright Shining Lie" best captures in words the folly that is displayed in these pictures. Life magazine, which published numerous of these photographs, taken by those working on the American side, no longer exists. The power of the still photograph is not being used to convey the horrors of the Iraq war. This book should be compulsory viewing for the kids of today who learn nothing of the true nature of war from their video games. It might even move one of the hearts of the neo-cons who eschewed military service during this war.
Gives faces to the fallen soldiers and journalists. June 6, 2005
8 out of 8 found this review helpful
Normally I am able to tell a person why I like a book or why I like a movie. However, in this case, I am really not able to say why I thought this book was excellent.
Requiem is a series of photos and stories from various wars in the Indochina region (Vietnam, Laos, and Cambodia mainly) from the 1950's to the 1970's. Most of the photos were taken by photographers that lost their lives during the various conflicts. The book reads like a magazine, a series of short stories about the region, the war, or about a deceased photographer augmented by photographs of the subject or by the subject.
I was confused about my feelings about the pictures in the book. I do not find any beauty in death, yet I found the photographs in the book are hauntingly beautiful. The pictures in the beginning of the book show calm, surreal scenes from the region. As the book progressed from the 1950's to the Vietnam war, the pictures became more destructive and consumed with death. Some pictures were unbelievable such as the photo by Hiromichi Mine of the plane hit in midair by an artillery shell. Other photos left images burned in my mind such as the photo of the last rights being given to Dixey Chapelle.
After searching for a few days as to why I thought the book was beautiful, I decided on the following: Personally, I have always been intrigued with war. I was never fascinated with the violence much as I was with the people who fought it and why it was fought. I've read a lot of first person accounts from various wars, but in the end, they were all stories. I believe Requiem and its photos tell the story of the people on both sides as well as the civilians caught in the middle. I thought it brought the concept of war out of the world of words on paper and into reality. The people killed were no longer statistics in an encyclopedia, their pictures shows young people with fear in their eyes. Like I mentioned before, it brought the soldiers from the world of words on paper to reality. It showed soldiers helping one another, fighting, tired after the battle, and deceased.
I would highly recommend this book for people interested in the Indochina wars or people interested in the Vietnam War. I think the book serves its purpose better in the hands of a mature audience, where people can look beyond the blood and violence to its hidden meanings.
Haunting . . . and a memorial to anyone killed in Vietnam April 9, 2004
12 out of 12 found this review helpful
As a photographer, I can't say I own "Requiem" out of sheer joy for the greatness of the photographs within. (No one who owns this book will keep it for that reason.) In fact, this is a book that can be at times painful to open up and look at.Perhaps this reaction is the result of the dual reality one is presented with - not only are the photos depicting (at times) someone being killed, but you also know that the person who took the photograph was also killed. In one photograph you actually see the last photo taken by that journalist before he died. So why own it? "Reguiem" is a proverbial granite memorial to anyone who was killed in Vietnam - American, South Vietnamese, North Vietnamese, whoever. By showing photographs from all sides it is able to maintain a level of objectivity that you won't find in many books. It just hits you with, "Here, this was the reality. Deal with it." Because of this it also acts as a book of history and not just one about photographers and their work. But still, I think "Requiem" will particularly appeal to anyone who's interested in photography and photojournalism. I'm reminded of the book "The Bang-Bang Club: Snapshots from a Hidden War" which is about photographers in South Africa and the fall of Apartheid. The photographers within that book are driven by excitment and adrenaline. They also want their photography to make an impact, to change the world. (A feeling many photojournalists share.) One of the photographers in that book, a man by the name of Kevin Carter who won the Pulitzer Prize winner for his shot of a dying Sudanese child, committed suicide as result of the desperation he felt. "Requiem" is in some ways a complement to "The Bang-Bang Club" because it shows the ultimate sacrifice war photographers sometimes make in their pursuit of the craft. This makes the book that much more haunting. While some of these photos did alter our perspective on the world, they didn't really change it. So was their sacrifice worth it? You have to open the book to decide for yourself.
photographs from both sides January 18, 2004
3 out of 4 found this review helpful
this is an incredible collection of photographs from the men and women photographers who shot for both sides of the war in vietnam. The text is brillantly written, the bio sections at the end is very in depth and the photographs are incredible. A masterful book.
Mind Blowing Photography. September 6, 2002
5 out of 5 found this review helpful
The photographs in this book are absolutely mind blowing. They are a creditable testament to the memory of the incredibly brave and talented photographers who did not return from Vietnam and Indochina.Some of the greatest photographers of all time are listed here. Some of their photographs have remained unseen for some 40 years.
Some of the photographs taken were the last visions seen by photographers who were actually killed whilst in the act of taking them. The first hand reality of the 'at war' experience is brought home to the unitiated reader. To take these shots the photographers were of a necessity extremely close to the action and sometimes in the very midst of it. For their sacrifice in obtaining these images they lost their lives. One can only sit back with awe at the scenes illustrated and wonder at the suffering, humanity & sometimes lack of it, that perpetuated these conflicts. These photographers have done a great service in bringing home the reality of war to those who were not there. An amazing and fitting epitaph to those who fought, suffered and died on both sides.
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