Bronzeville: Black Chicago in Pictures, 1941-1943

In the 1940s, the federal government sent a group of gifted photographers across the United States to record and publicize conditions in cities, towns, and rural areas that were the destination of an unprecedented migration. Two of these photographers, Russell Lee and Edwin Rosskam, spent time on Chicago's South Side, eventually producing over a thousand documentary images of Bronzeville's life. This unprecedented coverage of a black urban community—the only significant collection of photographs of black Chicago during this pivotal era—has largely gone unpublished.

Now, in over 100 handsome full-page black-and-white photographs of bustling city streets and sidewalks, prosperous middle-class businesses, thriving cabarets, as well as dirt-poor migrants from the deep South, this stunning tribute captures the vitality of a city whose burgeoning black population produced a vibrant and sophisticated culture. With original essays on the migration and the photography project, and contemporary commentary by Richard Wright and others, Bronzeville is a unique and visually arresting evocation of one of the defining moments in American cultural history. 120 black-and-white photographs.

I first skimmed it simply to enjoy the compelling photographs...that alone would have been enough for the money. But then add the text, especially the contemporary accounts from Richard Wright, and you'll feel you've time travelled. I've read about the Great Migration, but this book lives it.

Chicago was the "black capital" in the 1940's, having supplanted Harlem as the center of black culture and nationalism. It was home to notables like Joe Lewis, Thomas A. Dorsey, Mahalia Jackson, Ebony Magazine and Nation of Islam leader Elijah Muhammad. But the most arresting images and stories here are about the everyday people, ranging from grim images of the overcrowded slums to the more joyful life: a crowd watching the orchestra at the Savoy Ballroom, kids lined up in front of the movie theater, the Easter Parade outside Pilgrim Baptist. The book is divided into four parts: House & Home, Work, Church, Going Out.

One of the original essays discusses the fact that during the time period, most white media images of blacks perpetuated negative stereotypes, while many black photographers strove to counter this with "the strongest possible contrast to such representation." Which makes this collection even more important in that it presents such a wide range of people and situations, without trying to support an agenda. The photographers simply captured life.

I agree: This book should be a part of every photography and African American history collection.

Curator, AfroAmericanHeritage.com