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West of Last Chance | 
 enlarge | Creators: Kent Haruf, Peter Brown
Publisher: W. W. Norton
Category: Book
List Price: $49.95
Buy New: $27.95
You Save: $22.00 (44%)
New (25) Used (9) from $27.11
Avg. Customer Rating:  15 reviews
Sales Rank: 95368
Media: Hardcover
Edition: 1
Number Of Items: 1
Pages: 256
Shipping Weight (lbs): 3.6
Dimensions (in): 12 x 10.2 x 1
ISBN: 0393065723
Dewey Decimal Number: 779.36
EAN: 9780393065725
ASIN: 0393065723
Publication Date: January 14, 2008
Availability: Usually ships in 1-2 business days
Condition: Brand new, still in shrinkwrap. No marks, not ex-library, not a remainder. Quick shipping from a highly rated seller.
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Product Description
Peter Brown's haunting photographs of the high plains, interspersed with Kent Haruf's narratives of the people who live there.
West of Last Chance is a unique collaboration between celebrated photographer Peter Brown and award-winning author Kent Haruf. The result is a profound visual/verbal dialogue of short prose pieces and large-format color images that brings to life this sometimes brutal and incredibly beautiful part of the country. Awarded the Dorothea Lange-Paul Taylor Prize by the Center for Documentary Studies at Duke University for this project in 2005, the authors write: "Our interest in this part of the world is contemporary but also includes its history and a mix of stories that have passed down over the years, stories that resonate with the land in interesting ways."
It is an evocative work concerned with "moments that describe the beauty, power, tragedy, and cultural complexity of the place itself: the way the land has been used, the way people have lived on it, and the visual record that has been left behind." 140 color photographs.
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| Customer Reviews: Read 10 more reviews...
Back roads plain dealing April 3, 2008
9 out of 9 found this review helpful
Like Kent Haruf I first came across photographer Peter Brown years ago through his excellent book 'On the Plains'. This latest book with 151 photos continues the theme with the same vigor and passion. I thought it was a wise choice to stick to the back roads of the Plains, so much more interesting visually than the cities. The photos really convey the hugeness of this area of the Nation though about a third of the photos are of small towns in Texas.
The photos that I think work best are of the buildings. Shot in the classic tradition stretching back to the FSA photos of the Depression: no-nonsense straight on at eye height and mostly they are framed in the composition, too. I would have been satisfied with the book with just the building photos. Brown's composition framing really does bring out the best in so many of the images. For instance there are a couple of wonderful shots taken in Buffalo, Wyoming (plates 118 and 119) that just grab when you turn over the page, full of shapes, color and what appeals to me: plenty of signage.
Throughout the book there are signs and lettering, again very reminiscent of the thirties FSA photos. Now, many photographers (in rather elitist thinking) would deliberately avoid photographing hand-made signs, billboards and commercial lettering but these seem such a part of America that I think it would be foolish to avoid them. Fortunately plenty of photographers go out of their way to capture this silent form of communication because of its visual appeal.
There was a possible interesting theme that could have made the book even more enjoyable: the center of town image. On page eighty-five Brown has positioned his camera in the middle of the main street in Apache, Oklahoma, to take a stunning shot looking to the horizon with the shops and other buildings diminishing into distance. To avoid the highway leaving a huge open space for a large part of the image there are a couple of vehicles filling up this area. I would have liked to have seen more of these in the book. In 'On the Plains' there was a similar wonderful photo but taken from the first floor of a building and looking down the center of Duncan, Oklahoma.
As with any book with over a hundred photos there are bound to be some duds but surprisingly few I thought. The pork producing plant in Yuma, Colorado (page ninety-one) makes a nice horizontal shapes of sky, building and grass but lacks sparkle for repeat viewing, the same for the yellow marked road on page fifty-three.
The book's production, like 'On the Plains', follows the classic photo book style with large images (in 175 screen) centered on the page with generous margins. It does though, have the typical photo book annoyance of placing all the captions on a back page, so plenty of page turning to find out where some place is. This does seem so unnecessary because on many pages there is text by Kent Haruf and a one line caption centered under each photo would hardly spoil the editorial flow.
West of Last Chance does a wonderful job of capturing the Plains with photos as unique as the places.
***FOR AN INSIDE LOOK click 'customer images' under the cover.
West of Last Chance March 19, 2008
2 out of 2 found this review helpful
This is a beautiful and interesting book. Peter Brown and Kent Haruf have resisted the simply pretty to go deeper with the images and text. The book conveys the beauty and emptiness that is really the great plains. It also shows the hardy people who still inhabit the land in spite of its challanges in an honest, but sympathetic way.
An Appreciation of an (Almost) Lost America March 3, 2008
5 out of 5 found this review helpful
West of Last Chance
Kent Haruf has long been one of our favorite fiction writers, and we love Peter Brown's sensitive photography of the majesty of the West. In this book the two combine and show us the 'beauty', not necessarily the 'pretty' of the high plains.
Reading this book, prose and images, makes one want to go out there, get off the Interstate, and wander the back roads to also be able to see what they show. An America that we have feared lost to urban and exurban growth.
This book is a song to the West.
Worth reading agin and again March 3, 2008
6 out of 6 found this review helpful
Much more than another gorgeous coffee table book, West of Last Chance begs to be read again and again. As you begin to decipher Brown's images and Haruf's words a sense of what the high plains, and perhaps by inference, what this country is all about emerges. Clearly the product of two artists with both a passion and a calling.
West of Last Chance March 3, 2008
4 out of 4 found this review helpful
This book is about the interaction of man and land. It is simple and yet profoundly touching. The images show the stark beauty of the land, and how it has, at times, been abused by man. It is a storybook of what the land has witnessed throughout the years - events of use, misuse, and sometimes even crime. And, it tells you how a land can change a man by its harshness or its beauty.
In these pages the reader will see that Peter Brown, and Kent Haruf have created a beautiful, moving, and altogether unique book.
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