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Love Hotels: The Hidden Fantasy Rooms of Japan

Love Hotels: The Hidden Fantasy Rooms of Japan

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Creators: Natsuo Kirino, Rod Slemmons, Misty Keasler
Publisher: Chronicle Books
Category: Book

List Price: $40.00
Buy New: $15.96
You Save: $24.04 (60%)



New (32) Used (11) from $15.00

Avg. Customer Rating: 4.5 out of 5 stars 6 reviews
Sales Rank: 234023

Media: Hardcover
Number Of Items: 1
Pages: 156
Shipping Weight (lbs): 3.1
Dimensions (in): 11.2 x 11 x 1.2

ISBN: 0811856410
Dewey Decimal Number: 779.092
EAN: 9780811856416
ASIN: 0811856410

Publication Date: November 30, 2006
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: New - Has remainder mark. Fast shipping from trusted wholesaler with many exclusive publisher contracts.

Accessories:

  • Made in Japan
  • Robert Brownjohn: Sex and Typography
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Editorial Reviews:

Product Description
Sex creates odd cultural conventions everywhere, but nowhere has an institution quite like the Japanese love hotel. To be rented by the hour for amorous liaisons, the theme rooms revealed in this provocative collection of photographs are steeped in fantasy, their elaborate d cor ranging from simulated subway cars to religious bondage with much kink in between. These brash rooms are fascinating in themselves, but also present a window into a very classified aspect of this society. The foreword by best-selling author Natsuo Kirino and passages from hotel guest books lend humor and context to these 80 haunting room portraits, creating an astonishing document of sex and romance, public and private space in Japan.


Customer Reviews:   Read 1 more reviews...

5 out of 5 stars An interesting peek into Japanese sub-culture   June 24, 2008
The pictures are fantastic, and the "notes" written by the various couples range from pathetically sad to highly entertaining. Be sure to read the forward or you won't understand the significance of Love Hotels in general. Makes an interesting conversation starter if left lying around on the coffee table!


4 out of 5 stars Commenting on the introduction   December 3, 2007
 3 out of 13 found this review helpful

I haven't actually read this book, although the concept is certainly intriguing and the photos look excellent, however I did get to read the introduction here at Amazon and was struck by some of what this female Japanese author has to say about love hotels. She starts off discussing the history of the hotels and how they have changed into the modern commercialized fantasy play locations that are depicted in this book. However the second part of the introduction deals with the author's view of these hotels as encouraging impersonal sex which focuses primarily on male needs and encourages female sexuality in a primarily commercial sense.

What I get from this description is the fact that the rigid polarization of gender roles in Japan and the continued focus on formalized systems of interaction has created an atmosphere where female sexuality is still a social taboo outside of certain accepted institutions. In the past this was somewhat less of a problem since marriage was for family and social purposes and not for the gratification of the individual unless they were unusually lucky. However, the roles allowed for women to be taken care of financially and protected by their fathers and husbands, in exchange for providing them with domestic services including sex. Under those circumstances women were not expected to engage in sex unless they were either married or prostitutes of some kind and since marriage was not necessarily personal men could find sexual fulfillment outside, provided that they remained discreet.

How this differs from today though is that after the effects of feminism changed our perception of gender roles, women began engaging in other types of services which would allow them to financially support themselves to some extent and made them less dependent on men. This led to lessening of the sense of obligation towards men for the support that they provided and thus a lessening of the desire to satisfy them sexually. However, this also led somewhat paradoxically to the protection of women by cultural inertia rather than by men in particular thus making it less acceptable for men to find alternative outlets for their sexual needs while continuing and even strengthening the taboos for women. This leads to a situation where women's sexuality is virtually nonexistent except for commercial purposes which provide another incentive and where men's sexuality is strongly repressed. Not surprising then that fantasy hotels would be required to allow both men and women to express themselves, or that women's expression should end up being limited to a mostly commercial style.

This repression also explains the rise in sex related crime, whereas being able to play out those fantasies in a hotel might actually lower the incidence in actual public venues. Strangely enough companies hiring women still limit their wages and involvement because the reality is that most women are going through the motions until such time as they can obtain a husband. So the major changes in gender roles are primarily on the surface but the overall result has been a continued and gradually escalating restriction on sexual expression on the part of both genders. I find it ironic that to western minds the existence of love hotels seems like a lowering of moral standards in the context of promiscuity when the reality is that their existence points more towards a lowering of moral standards in the sense that a natural expression of basic human needs has been so perverted as to require an artificial commercial venue to allow it to occur at all.



5 out of 5 stars Japanese Adult Theme Parks   September 6, 2007
 1 out of 1 found this review helpful

Japan's infamous love hotels are a cultural art form. This is not a guidebook to the erotic world of Japan. Neither is it a collection of pornographic photos of hot Asian chicks and where to find them. This is a book of fine art photographs of the interiors of hotel rooms. There is not a photograph of a live person in the entire volume. The rooms in these hotels appear that they were designed by the animation artists of Disney. I kept expecting to find a "Pirates of the Caribbean" room. I had to settle for a room entitled "Pirate Room." It was pictured near an aquarium motif with the name "Underwater Room."
Each of the rooms shown in the book appears like an individual cell out of animated film. These rooms definitely represent individual rides in a pleasure park for adults. In most of the beautifully reproduced color photographs the viewer has to look carefully in order to tell if the room really exists or is just a skillfully done cartoon painting of a room. While every detail of each room seems almost like an unused exhibit in a museum, the one tip-off that the scene is real is that the beds shown in each location look like they had just been sloppily made. The spreads are usually slightly rumpled as if the maid was in a terrific hurry to get done before the photographer arrived. Another feature of the beds is that almost every bed has some form of chains with leather cuffs or other type of restraint in each corner of the bed and on top of the bed spreads. Many of the rooms also have S&M restraints hanging from the ceilings or attached to the walls or on crosses against the walls. A simple list of some of the picture titles for the Osaka hotel rooms says much about the content of the pictures. "Igloo Waiting Area", "Naughty Nurse Play Area," "Hello Kitty S&M Room," "Prison Cell," "Alien Abduction Play Area," "Subway Room," " Disco Ball," "Spider Room," and "Bondage Bathroom." There are many more amazing rooms with amazing names. There seems no lack of kinkiness and kitsch in these first-class establishments.
The photographer has a real gift for capturing the sensuality of these love hotel room designs. If sex is mostly above the neck, then the creators of these fantasy adventures are true erotic geniuses. The photographs are straightforward and amazing. It's difficult to show people living and loving without showing any people. The photographer has a real talent for recognizing the skill of the interior designers of these fantasies.
If the reader wishes to see real people working in the near-cousins of these Japanese cartoon fantasy worlds, Joan Sinclair has done a wonderful job with an entirely different approach in her book "Pink Box: Inside Japan's Sex Clubs." Since non-Japanese aren't usually allowed in these clubs, Sinclair's book is even more amazing and will be eye opening to any western audience. The American equivalent to the book "Love Hotels" is Timothy Hursley's "Brothels of Nevada." His architectural studies of the legal Brothel Industry occasionally show a real person within their gaudy architectural fantasy world created mostly through a system of combining over-sized trailers into sexual playgrounds.



4 out of 5 stars Amusing   July 12, 2007
 1 out of 3 found this review helpful

A fun collection of photos from love hotels throughout Japan. There is such a variety of different themes for love hotel rooms that this book, of necessity, can only contain a small fraction of examples. So after looking through it, I mainly felt I wanted more photographs of more rooms at more love hotels.


5 out of 5 stars THE EMPTINESS OF LOVE IN A HOTEL   March 5, 2007
 5 out of 10 found this review helpful

What separates LOVE HOTELS from other works of its genre is that Misty Keasler has taken 80 or so giant photos of rooms from various Love Hotels in Japan, and none of the photos contains a living person. This is the Keasler technique. There are no living persons within her rooms. Though there is something terribly voyeuristic within all of us that wants to catch some of what we hope are the morbidly depraved acts of Love Hotelers as they do dirty things in rooms containing Hello Kitty dolls, over-sized snowmen and various assortments of creatures one might only see at a carnival, she does not reveal the subjects of her rooms. We are left with the objects that they ephemerally possessed. What is so pleasing about Misty Keasler's work and technique, however, is that she very much captures the ghosts of the people who have haunted her rooms. We are given the chance through Misty Keasler to peer into Dante's Hell. She is our Virgil, and the stories that these ghosts tell us through the rooms where the beds are not yet cold are often so more sad than sensual. This is also what makes her rooms so unbelievably beautiful. The journey Keasler takes us on is enhanced by the book's diaries left inside the rooms from Love Hotelers who inexplicably leave messages for future guests. These messages reveal amazing conflicts in the souls of hotel guests as they struggle with cheap love and even cheaper sex in hotel rooms that are designed for lust. LOVE HOTELS is an incredible body of work. Readers will find it difficult not to return again and again to the photographs to search for new ghosts who reveal themselves in different corners of each room. I very much recommend this book!


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