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Atonement: A Novel

Atonement: A Novel

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Author: Ian Mcewan
Publisher: Anchor
Category: Book

List Price: $14.95
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Avg. Customer Rating: 4.0 out of 5 stars 757 reviews
Sales Rank: 24755

Media: Paperback
Number Of Items: 1
Pages: 368
Shipping Weight (lbs): 0.6
Dimensions (in): 7.9 x 5.2 x 0.9

ISBN: 038572179X
Dewey Decimal Number: 823.914
EAN: 9780385721790
ASIN: 038572179X

Publication Date: February 25, 2003
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Creased Cover Buy from the best: 4,000,000 items shipped to delighted customers. We have 1,000,000 unique items ready to ship today!

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Editorial Reviews:

Amazon.com Review
Ian McEwan's Booker Prize-nominated Atonement is his first novel since Amsterdam took home the prize in 1998. But while Amsterdam was a slim, sleek piece, Atonement is a more sturdy, more ambitious work, allowing McEwan more room to play, think, and experiment.

We meet 13-year-old Briony Tallis in the summer of 1935, as she attempts to stage a production of her new drama "The Trials of Arabella" to welcome home her older, idolized brother Leon. But she soon discovers that her cousins, the glamorous Lola and the twin boys Jackson and Pierrot, aren't up to the task, and directorial ambitions are abandoned as more interesting prospects of preoccupation come onto the scene. The charlady's son, Robbie Turner, appears to be forcing Briony's sister Cecilia to strip in the fountain and sends her obscene letters; Leon has brought home a dim chocolate magnate keen for a war to promote his new "Army Ammo" chocolate bar; and upstairs, Briony's migraine-stricken mother Emily keeps tabs on the house from her bed. Soon, secrets emerge that change the lives of everyone present....

The interwar, upper-middle-class setting of the book's long, masterfully sustained opening section might recall Virginia Woolf or Henry Green, but as we move forward--eventually to the turn of the 21st century--the novel's central concerns emerge, and McEwan's voice becomes clear, even personal. For at heart, Atonement is about the pleasures, pains, and dangers of writing, and perhaps even more, about the challenge of controlling what readers make of your writing. McEwan shouldn't have any doubts about readers of Atonement: this is a thoughtful, provocative, and at times moving book that will have readers applauding. --Alan Stewart, Amazon.co.uk

Product Description
Ian McEwan’s symphonic novel of love and war, childhood and class, guilt and forgiveness provides all the satisfaction of a brilliant narrative and the provocation we have come to expect from this master of English prose.

On a hot summer day in 1935, thirteen-year-old Briony Tallis witnesses a moment’s flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia’s childhood friend. But Briony’s incomplete grasp of adult motives–together with her precocious literary gifts–brings about a crime that will change all their lives. As it follows that crime’s repercussions through the chaos and carnage of World War II and into the close of the twentieth century, Atonement engages the reader on every conceivable level, with an ease and authority that mark it as a genuine masterpiece.



Customer Reviews:   Read 752 more reviews...

2 out of 5 stars A Chore to Read   October 9, 2008
I decided to read this book because of the enthusiasm and hype that has surrounded it. I took it with me to read while on a plane trip. The only reason I was able to get through the first 100 pages was because I had no appealing alternatives as I was trapped next to the window for my several hour airplane ride.

As others have said, the book is overwritten. While there is a lot of descriptive language, it is overdone and often irrelevant. At times it felt like the author wanted the reader to know how many words he knew or could use to describe something that was quite simplistic. The characters, except for Briony, are mostly absent, and Briony is just plain unlikeable. I had read that Ian McEwan did an outstanding job of infiltrating the psychology of the characters--I wholeheartedly disagree. The characters were barely present, therefore hard to care about or empathize with.

The "mystery" of the book was easy enough to figure out. After finally making in through the first part, I was intrigued and wanted to keep reading. While I thought the "mystery" wasn't really a mystery at all and an obvious conclusion, I was hoping for some great twist or turning point -- hoping that I hadn't figured out what really happened on the night around which the story was built. Unfortunately, there was no such twist, just disappointment that the truth was so obvious.

Then, in hoping that Briony might recant, I continued to keep reading. Again, disappointed with the anticipation of something that never came to fruition.

The parts of the book are abrupt transitions from one another. Each part requires the same determination as the first one to keep going even when it seems like the story isn't. When I finally was able to get interested in the new section, the book abruptly transitioned to the next section.

I read the book before reading any reviews, and was somewhat relieved to see that I wasn't the only person who was so sorely disappointed with the book. With all of the hype surrounding the book, I surely thought there must be something that I was missing.

I always try to take something away from the experience of reading a book, and there were a few instances throughout that caused me to stop and really think. One was when Briony was relating to her cousin and realizing how others and our reaction to others often help us to learn about ourselves. It is through how we relate and respond that we can learn something about ourselves that we didn't previous know, or hadn't thought about.

Another example was the depiction of the experience of Briony telling her story and then feeling trapped in her story with no space to modify it or turn back from it. This made me think about how often this probably happens with situations of similar magnitude as well as seemingly insignificant situations.

These are two examples of how I was able to use the book and relate it to life beyond the book.

Overall, two stars.



5 out of 5 stars Fascinating reading   September 29, 2008
 1 out of 2 found this review helpful

I liked this book so much, especially with the movie adaptation. As is often the case, the psychological insight of the original book was invigorating to read. It is hard to see that some of us found the story less to their liking. In comparison with some quickreads, Atonement is something to savor and to come away from with wonder and even bittersweetness for the fate of its characters -- making a reader ask exactly what is real as Briony might have felt.


2 out of 5 stars Couldn't get into it before viewing the movie . . .   September 23, 2008
 1 out of 2 found this review helpful

. . . Couldn't really get into it after watching the movie, but actually managed to finish it this time. Would I read another book of Ian McEwan's? Not unless he changed his writing style drastically.

At first the book is hard to get into, because it flicks back and forth between the different characters' points of views. But then the film is the same. But the book is pages and pages of never ending description - with very little dialogue added in between. And when you do get dialogue, it seems to be all grouped together, before you get more pages and pages of description.

What I will say about the book is that the film was at least faithful to it. You know I hate watching movies of books that I loved (the recent Narnia movies being prime examples), but reading the book after watching the film, I saw a few more insights into what I liked in the movie, but didn't quite make sense.

What I will NEVER get about the movie or the book for that matter, is the whole Lola/Paul Marshall storyline. What girl marries the man who sexually abused her? Or was it consensual? Considering she looked like she was crying the second time at least, we can think it wasn't consensual? I found this whole storyline very difficult to understand, since she marries Paul in both the movie and the book.

The ending of the movie is also changed, and to be honest, I preferred the ending depicted in the movie. The ending in the book just didn't work. I'm not quite sure what it was, but I was still turning pages, trying to find the rest of it.

If I'm going to be brutally honest, I skimmed a lot of sections of this book. I still read it, but particularly the war section of the book (scenes I hated in the movie) I skimmed. I was certainly disappointed even more than I was first time around, and would only recommend it to readers of Ian McEwan's work. Certainly do not read as your first book.



2 out of 5 stars Slightly bored; extremely confused   September 20, 2008
 1 out of 2 found this review helpful

I won't reiterate the pros and cons of this novel, which many talented reviewers have done before.

I only want to pose a question to all readers -- because, having read the book through twice, I still don't get this part:

Lola and Paul Marshall. First he assaults her and she covers for him (falsely blaming her little brothers); then he rapes her and she covers for him again; then she marries him. WTF?

Alternate interpretation: They have consensual rough foreplay the first time; then consensual sex; and then she marries him. This would make sense -- if only I could convince myself that a 15-year-old upper-crust girl in 1935 England would have rough foreplay with a man she'd just met.

Alternate interpretation: She fought him off the first time, then had consensual sex the second time; then married him. Nope; that's another WTF. What girl of that era -- or any era -- would willingly have sex with a man who had just assaulted her?

I'm lost. Somebody, please, explain Lola's motivation to me. Otherwise, I am forced to go with my gut interpretation: Lola's actions make no sense, but we're just supposed to accept them because she's (a) a villainess and (b) a female (and therefore can be dismissed as irrational by nature), and (c) a minor character, quickly dispensed with, whose main duty is to be a Contrivance of the Plot.

Booker Prize, anyone?



4 out of 5 stars Great Book - Preferred the movie   September 12, 2008
 1 out of 2 found this review helpful

I am a big fan of the movie. I enjoyed the book -beautifully written- however the tragedy of the story was almost too much for me to read. Everything is so much more vivid in print. It is one of the few times where I actually preferred the movie.


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