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 enlarge | Author: Brad Hinkel
Publisher: Rocky Nook
Category: Book
List Price: $29.95
Buy New: $15.28
You Save: $14.67 (49%)
New (30) Used (9) from $14.08
Avg. Customer Rating:  7 reviews
Sales Rank: 105964
Format: Illustrated
Media: Paperback
Edition: 1
Number Of Items: 1
Pages: 152
Shipping Weight (lbs): 0.7
Dimensions (in): 9.8 x 7.9 x 0.8
ISBN: 1933952024
Dewey Decimal Number: 775
EAN: 9781933952024
ASIN: 1933952024
Publication Date: December 5, 2006
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Condition: FREE Delivery Confirmation, I ship out Tuesday and Thursday Media Mail, unless Expedited is Ordered
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| Customer Reviews:
| Showing reviews 6-7 of 7 | | « PREV | | |
 Great understanding to the relationship of image, monitor and printer! January 16, 2007
16 out of 16 found this review helpful
One of the hardest parts of digital imaging for most people to understand is the relationship between the color that they see on the screen and the color that they see on their prints.
In Color Management In Digital Photography: Ten Easy Steps To True Colors In Photoshop Brad Hinkel shows us, in easy progressions, how to understand and use available color spaces to move from digital image, to screen image, to print image.
What I like best about Color Management In Digital Photography is that Hinkel breaks down the basics into easy to understand parts. In the chapter entitled "Select a Color Space", he defines what a color space is. He then shows how it relates between the digital image; the one your camera made, the image as it appears on the screen and the image as it appears on the printer.
This book can take you to that next level, especially if every time you time you try to understand the technical jargon of color space, sRGB and profiling you find yourself confused. If you are new to printing in a digital world or you are always having problems making your screen image and your print image match, then Color Management In Digital Photography is the perfect book for you
 Simple Color Management December 23, 2006
34 out of 36 found this review helpful
When it comes to printing the pictures taken with a digital camera, the first question many inexperienced photographers ask is, why doesn't the picture look the way it did on the computer monitor? The answer is almost always color management. Color management is the technique for getting camera image, monitor and output to look alike.
This book presents a simple approach to color management, breaking it down into 10 easy steps, the most significant of which is calibrating and profiling your monitor. If I reveal to you the other 9 steps you probably won't need to buy the book. And there for me was the rub. I know there are many photographers out there who will be happy with the results of following just the first seven steps of the author's ten step process. I know that more advanced photographers will benefit from the last three steps which Hinkel calls "advanced printing". But I also believe that even following these three additional steps, there are other things photographers can do that will enable them to get prints and web pictures that will better achieve agreement with their monitors that I would expect to be covered in a book on color management.
For example, even with a properly calibrated monitor and profiles, blacks and dark grays in a print may block up with certain papers so that they are indistinguishable. One way to deal with this is by adjusting tonal range in the printing process for the specific paper being used. Photographers looking for these more advanced tips should look at books aimed at more advanced color management like Tim Grey's "Color Confidence 2nd Edition: The Digital Photographer's Guide to Color Management".
Even though it doesn't go to the substance of the book, I have to comment on the publisher's graphic content. Rocky Nook's books look beautiful from their calm grey covers with beautiful photographs to their illustrations and generous use of white space inside. On the other hand, even the author tells us that this book will only take a couple of hours to read and digest. At just over 100 pages (which probably could be less if each page did not have a generous outside margin) one feels that the price, even when deeply discounted, may be a little dear.
In any event, photographers interested in learning just enough about color correction will find the information they need here. Those looking for a fuller discussion will have to look elsewhere.
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