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 enlarge | Author: Terry Barrett
Publisher: McGraw-Hill Humanities/Social Sciences/Languages
Category: Book
Buy Used: $31.00
Used (10) from $31.00
Avg. Customer Rating:  15 reviews
Sales Rank: 188698
Media: Paperback
Edition: 3
Number Of Items: 1
Pages: 222
Shipping Weight (lbs): 0.9
Dimensions (in): 9.1 x 7.2 x 0.4
ISBN: 0767411862
Dewey Decimal Number: 770.1
EAN: 9780767411868
ASIN: 0767411862
Publication Date: July 9, 1999
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Textbook Third Student edition. CD NOT INCLUDED. Heavy wear, wrinkling, creasing, or tears on the cover and spine. Cover has used book stickers or residue. Good binding. NO apparent loose pages. NO apparent missing pages. May have unnoticed missing pages, as this is a USED book and pages get lost easily. Light writing and highlighting. aj All of our books are Legally copy righted US student editions
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| Customer Reviews:
 Important Book August 23, 2005
32 out of 37 found this review helpful
Criticizing Photographs remains one of the most important books in the field, and Barrett has updated the text with new photos to discuss. His new editions include worthy changes and are not ploys to sell new copies. I have used his books for years in an advanced photography college class.
Excellent introduction. October 15, 2004
7 out of 7 found this review helpful
Having never taken a course in art appreciation, I found this book to be an excellent introduction to interpreting photographic images. The comment above about this book serving as a framework is a good one. Essentially any photograph will fall into one of the categories, giving the viewer a frame of reference within which to interpret and appreciate the meaning of the work. It forces you to slow down and think about each photograph you encounter, ultimately enriching the viewing experience. I highly recommend it for photography aficionados and photographers alike.
 Criticisng Criticism June 11, 2002
112 out of 123 found this review helpful
NOTE: This is a review of the third edition of this book, which Amazon is also posting under the fourth edition, which is a substantially better book. For people interested in the fourth edition, please read my review which appears under the title of "Getting Better."
A look at the subtitle to this book, "An Introduction to Understanding Images", might lead one to believe that it is about photographs and what makes them good or bad (or if there are such things as "good" and "bad" photographs). But instead it is about photographic criticism, primarily written. And even then it really doesn't tell you very much about how to write criticism yourself, or how to interpret what you read, or how to develop patterns of thought that would enable you to criticize in a useful fashion. Instead most of the book is concerned with the pigeon holes into which different kinds of photographic criticism can be put.
An unstated thesis of this book seems to be that the criticism of photographs is an art form itself. Certainly anyone who has read something like Walter Benjamin's "the Work of Art in the Age of Mechanical Reproduction" might agree. But if it is an art, then it has both form and content, and any book claiming to teach one about the art (I almost said craft) had better address those points. To know that there are theoretical schools like Postmodernism or Feminist Theory is useful to those trying to organize photographic criticism and may be helpful to the photographic critic who is trying to decide what his own approach is, but knowing that these schools exist does not help a critic as much as a knowledge of how to look at a picture and organize a written commentary.
Fortunately, the book has a number of examples of written criticism, including several examples of different critics addressing the same picture. Unfortunately most of the criticism addresses the content of the photograph without considering how the form relates to the content or how, as Mark Schorer has said, technique leads to discovery. For example, Ansel Adams' photographs rely upon the range of light from the whitest whites to the blackest blacks to make their statements about the grandeur of the American wilderness. Unfortunately, nothing in this book considers photographic technique for the critic, although there are plenty of opportunities. For example, there is an ambiguous picture by Robert Doisneau taken in a Paris Café showing a younger women and an older man. The picture is grainy and the depth of field shows the women more sharply then the man. Both of these techniques should contribute to the possible interpretation of this photograph, and yet they are not mentioned.
I think the photo critic who wants to improve his art would be far better served by learning something about photography, and then reading actual criticism, like John Szarkowski's "Looking at Photographs". "Criticizing Photographs" should only be considered as a supplement to such studies.
useful and excellent book for students of photography December 26, 2000
7 out of 12 found this review helpful
I have read Persian (Farsi) translation of the 2nd. edition of this book. Thanks to Mr. Barrett and the translators of the book. It helped me to understand how to criticize photographs and I found it a unique book in this field. After searching in Internet I found out that Mr. Barrett Has revised the book in ashort periodof time. I suggest, as a student of photography in university, to all studentd in the world to read the book. Again thanks to Mr. Barrett.
"It takes more time to make a picture than to appreciate it" November 21, 2000
9 out of 13 found this review helpful
This is an excellent book. These are some questions the book deals about: How a photograph is made? What are its purposes? How should its context be considered? Was that photograph made or taken? In this book several criteria (even opposite ones) about photographs are also analyzed and compared, leaving to the reader the decision about the one(s) to take. The process of understanding a photograph is not simple, but this book is a nice guide to follow. At the end of the book, examples of reviews are included, as a reference not only for students, but also for the person who simply would want to talk about a photograph. Moreover, advice concerning the redaction is also given.
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