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The Fatal Shore: The Epic of Australia's Founding

The Fatal Shore: The Epic of Australia's Founding

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Author: Robert Hughes
Publisher: Vintage Books
Category: Book

List Price: $18.95
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Avg. Customer Rating: 4.5 out of 5 stars 57 reviews
Sales Rank: 31064

Media: Paperback
Number Of Items: 1
Pages: 752
Shipping Weight (lbs): 1.5
Dimensions (in): 8.1 x 5.1 x 1.6

ISBN: 0394753666
Dewey Decimal Number: 994
EAN: 9780394753669
ASIN: 0394753666

Publication Date: February 12, 1988
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
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Also Available In:

  • Paperback - The Fatal Shore
  • Paperback - Fatal Shore
  • Hardcover - The Fatal Shore
  • Paperback - The Fatal Shore (Harvill Panther)
  • Unknown Binding - Fatal Shore
  • Audio Cassette - Fatal Shore: The Epic of Australia's Founding

Similar Items:

  • In a Sunburned Country
  • A Commonwealth of Thieves: The Improbable Birth of Australia
  • The Explorers: Stories of Discovery and Adventure from the Australian Frontier
  • The Songlines
  • Australia: A New History of the Great Southern Land

Editorial Reviews:

Amazon.com
An extraordinary volume--even a masterpiece--about the early history of Australia that reads like the finest of novels. Hughes captures everything in this complex tableau with narrative finesse that drives the reader ever-deeper into specific facts and greater understanding. He presents compassionate understanding of the plights of colonists--both freemen and convicts--and the Aboriginal peoples they displaced. One of the very best works of history I have ever read.

Product Description
The history of the birth of Australia which came out of the suffereing and brutality of England's infamous convict transportation system. With 16 pages of illustrations and 3 maps.


Customer Reviews:   Read 52 more reviews...

5 out of 5 stars Sets The Standard   August 5, 2008
"The Fatal Shore" by Robert Hughes is the one book which is always mentioned when it comes to books about the history of Australia, and for good reason. Hughes' brilliant work covers in great detail the transportation of criminals from England to Australia, and the history of those penal colonies. He also deals with the historical figures and events which impacted those colonies.

Prior to this work, Robert Hughes had authored books on art, and is generally known as an art critic and a documentary maker. This work of history seems to be an unusual diversion from his typical interests, but as he explains in his introduction, it was while doing a series of documentaries on Australian art which took him to Port Arthur that he realized that he knew little of his country's convict past. His documentary work undoubtedly played a key role in his making this one of the more readable histories there is, and led to "The Fatal Shore" becoming an international best-seller.

He starts by discussing the conditions in England which led to the transportation of criminals to the opposite side of the world, the theories about there being a "criminal class", and the loss of the Americas as a dumping ground for British criminals. Another key point is the sentencing which was used at the time which resulted in people with a wide variety of criminal convictions, from petty theft to murder all being selected, without regard to whether or not they would be able to provide any valuable service to the colonies which were to be created.

Next Hughes discusses the first fleet, from the difficult passage, both for prisoners and free people, to the arrival and the dealings with the Aborigines to the difficult first years of the colony; it is an engaging tale which reads like a novel. The more recent "A Commonwealth of Thieves" by Thomas Keneally does a more complete job of telling the story of this period for those who are interested in learning more, but Hughes' work covers more time and is far more complete when looking at the entire period of transportation to Australia.

Hughes then looks at the makeup of the convicts, both men and women and the ratio between the sexes. Who they were, what crimes had they committed, and how they behaved once they were there. The vast majority were sent due to crimes against property, and just a small percentage for crimes against people. There were a few which appear to have been convicted of political crimes as well. The female prisoners were mostly of a marriageable age, and many were encouraged to marry the non-convict men who were there.

Hughes also covers in detail the more severe areas of punishment which were established in places like Norfolk Island and Macquarie Harbor. Though very few prisoners ever were sent to these secondary facilities, their presence and the stories about them helped to keep the prisoners in line. The treatment of the prisoners at these facilities was horrendous, and many preferred death to staying there. Many committed crimes while in the facilities in order to be sent back to Hobart for trial.

The end of the book covers the decline of the transportation system. Prison reform was coming and there were new ideas about how to deal with crime and criminals. The cost of transportation was high, and once space was no longer an issue in England's prisons it was no longer cost effective to transport. In addition, the non-criminal populations of the colonies grew, and they were not as welcoming of additional convicts as they had been earlier. In addition, once gold had been found, the wealth of the colonies made them even less accepting.

"The Fatal Shore" still sets the standard when it comes to Australian history. Hughes covers not only the major sites of Sydney and Van Diemen's Land (Tasmania), but also the efforts to create penal systems in Queensland and in Western Australia. In addition to the events covered, there are wonderful biographical descriptions of the major officials and notorious convicts. The one piece that the reader is likely to ask for more is with regards to the Aborigines, as so little is known of the individuals who were involved. The discussion of the native Australians is often told in very general terms, as there simply isn't any detailed written record to draw from.



5 out of 5 stars A magnificent achievement   June 4, 2008
Robert Hughes has written a towering account of the years during which Britain transported convicts to Australia, thereby beginning the colonization of a continent that would one day hold a place among the world's free nations. Hughes's fascinating text covers the exaggerated fear of a "criminal class" that, along with hopes of establishing a colonial presence in the region, caused England to spend so much treasure on the system of transportation. We also get much fascinating information about the difficult conditions on the new continent, the shameful treatment of the native Aborigines, and many harrowing accounts of the horrendous treatment prisoners received there. In the end, a rising tide of public disapproval and a gold rush that weakened the system's financial incentive resulted in the end of transportation. Hughes treats all of this--and much more--in exhaustive detail that is never dull. With the eye of a novelist, he includes the stories of many interesting figures from Australian history, fully contextualized within the epic sweep of his narrative. This book is a real winner.


2 out of 5 stars exaggerated emphasis on blood   April 26, 2008
 1 out of 1 found this review helpful

There's no doubt that the lash and hangman's rope played an important role in early New South Wales and Van Diemen's Land (Tasmania). About 1830, the death rate by execution was about 1 per 1000 of the European population of NSW (30 per year out of 30,000). The first criminal trial in Australia led to a sentence of 150 lashes for being drunk and abusive. Thus began the operation of law in Australia, only a fortnight after the colony commenced. But a few months later, in Cable v Sinclair, two young convicts successfully sued the master of a first fleet ship because their luggage had gone missing on the voyage. English law would not have allowed attainted convicts to sue, let alone hold property. One of those convicts, Henry Kable, went on to a career as constable, jailer and merchant, even if his finances did crash spectacularly. This was a new land with a new approach to law and egalitarianism.
Hughes emphasises blood and the lash, glorying in it. He tells a great story, like an airport novel. But he doesn't tell us anything about the ordinary social and commercial life which began so quickly after the first colony began in 1788. He tells only half the story, and as a result, academic historians ignore his work. There are many much better histories of convict Australia than this. Try Grace Karskens, The Rocks, for a start.
Some of the men and women of early NSW were dishonest, gaining what they could when they could. That applied to officers as well as convicts. But they had relationships (often without marriage) and children, developed trade, lived their lives as well as they could. The surprise is that the place was so successful, not that it was so bloody. And of course the most significant blood lost was that of the indigenous people, a story not unique to Australia.



4 out of 5 stars Very Enlightening Read   April 7, 2008
In short this book has taught me a great deal about the history of Australia and I totally disagree with other reviews that make out it is biased in some way.

Found the book to be frank, open, honest and to the point.

BTW even though the book is very thick it was not a chore to read and finish.




5 out of 5 stars Cultural Amnesia   January 26, 2008
 1 out of 1 found this review helpful

The Fatal Shore: The Epic of Australia's Founding


By Robert Hughes

Australia is one of those faraway places you read about in National Geographic or watch on Discovery. Remote, exotic, modern yet solidly based in its history, it's a chamber of commerce promotion writer's dream. T he only country to occupy an entire continent... spanning from the Pacific to the Indian Oceans; sophisticated and modern along the coast with Sydney, Melbourne and Brisbane; forbidding and undeveloped in The Outback; boasting symphonies, opera, and architecture; an outdoorsman's paradise.
Robert Hughes, the Art Critic for TIME magazine, has done an outstanding service in chronicling the rich history of his homeland.
The Australian writer has delved deeply into primary sources including diaries of those unfortunates who fell victim to the System of Transportation: the official euphemism for the forced removal of mostly minor criminals from England and (particularly) Ireland to the distant and fatal shores of the new continent.
In researching "diasporas," I've discovered artificial "homelands" for Esquimos in Canada, "Little Cubas' in Miami; the relocated Acadian ("Cajun") culture of the Mississippi delta, and new asian cultures in the American Midwest.

But Australia really qualifies: the indigenous population, the Aboriginals, like our Native Americans were run off their land, deprived of their rights, and forced to give up their culture. The rest came in rusty "Hellships" -overcrowded, prone to disease, starvation, physical and sexual abuse, it's amazing so many arrived alive.
And when they did get there they found the horrendous penal colonies of Norfolk Island and Van Diemen's Land, where they worked as indentured servants until winning freedom.
For years, Hughes tells us, Australia underwent a collective cultural amnesia about its past, sweeping the darker side of The System under the rug. But gradually they came to terms with "The convict Stain," accepting their beginnings, and in the process developing a great nation. Those who have seen the Mel Gibson movie "Gallipoli" will understand how Australia's sense of identity was forged on the hellish trenches and beaches of the First World War. As I write, Australia is celebrating "Australia Day"...not colonial day, or Queensland Day, or something else from Europe.
The Fatal Shore is first-rate history and first-rate writing. (We're lucky to have Hughes still among us: he was seriously injured and almost died after a car accident in Australia)

*****






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